Smurfs rating: It's okay, okay

“Rihanna is Smurfette” roaring the posters and trailers for the new Smurfs film. As it turns out, you can see what you get from Hollywood's recent attempt to transform the tiny Blue Forest-Dwellers into large-scale stars: the singer and Fenty Mastermind “Umbrella”, which indeed follows the only female gorge in the footsteps of the pop stars, Katy Perry Perry and Demi Lovato. She even sings occasionally a combination of musical numbers in the world, new toes on the soundtrack and one of her own club classic-what SMUrfs has been closest to a new Rihanna album since 2016. The rest is secondary, and provided that your local multiplex has climate systems, the animation offer that has the preschool for 90 minutes for 90 minutes.

Despite a story of half a century, which dates back to their origins in the comics of the Belgian writer and artist Peyo, the Schlumpfs never really had an independent identity at least that are in the minds of the people as the family day. If you have anty nose of what or who the smurfs are, it was probably formed by hanna-barbera's long-running Saturday morning cartoon: names determined by a defining trait (brainy smurst) or occupation (baker smurf, a knack for Infectious Melodies, and a tendency to use the word “smurf” as all manner of NOUNS, adjectives, and adverbs (“Schlumpf that!”). The new film approaches this falsehood and focuses on its animation and live effect on no name Schlumpf (James Corden), the search for his place in the tiny village of the Schlumpfs the first act of the film and shows with the broad delivery of the television of children (Dora, the Explorer).

But it doesn't take long for Schlumpf to take on an almost curved stream of consciousness. Without warning, it demonstrates a D&D-like fantasy tradition of old magic, books of spells and noble protectors, into which the smurfs in the evil, the brother of Long Twour Nemese Gargamel (both by JP Karliak) are kidnapped. In order to track down their missing brothers, the smurfs begin from place to place-fantastic animation areas as well as real cities such as Paris and Berlin through portals, which were opened by gramophones and musical instruments. One might think that the talents of Rihanna and the many Indian artists on the soundtrack (and cordens attempts to rilling) would be useful, but the rules are usually accidental and can be avoided with good old -fashioned spells. You see, no name is considering taking up the title of Magic Schlumpf, and the sudden appearance of these skills transforms Schlumpf into a kind of superhero-coming-of-age story while trying to wave his strength responsibly.

At the same time, no name and his fellow smuggling learn about the secret history of her friendly leader Papa Smurf (John Goodman) and his alienated brothers who live in the human world. These long -lost uncle go from secular monikers such as Ken (Nick Offersman) and Ron (Kurt Russell), who question everything we know about Schlumpf -name conventions (and in the further sense of the entire name of the name). Of course, it is a waste of time to nudge logic holes in a film for the day of the day – although this also contains many jokes to maintain adults, between expanded information about zoom calls and inexplicably recurring gags about advanced mathematics. With these, occasional Broadway style numbers are enforced in which Smurfette does not convince a name to believe in itself (even if the same feeling in the dialogue). None of the songs are particularly bad, although it will be a relief for the parents that their children will be unlikely to remember them in the coming weeks.

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