The 7 best prestige dramas currently on HBO Max stream

Television has developed a lot over the past 25 years. The success of shows such as “The Sopranos”, “The Wire” and “Breaking Bad” in the late 90s, 2000s and early 2010s caused many spectators to take the medium and its possibilities much seriously than before. In conjunction with the explosion of streaming services in the 2010s, this led to a boom more expensive, complex, ambitious and sometimes with stars-occupied and limited series.

This means that most streaming platforms burst with countless rewarding prestige dramas that you can see. Here are seven of the best that you can stream on HBO Max.

“Station Elf” (2021)

The best dystopian science fiction series of recent years, “station Eleven”, was the victim of bad timing. The series, which came less than two years after the outbreak of Covid 19 pandemic in the USA, was a global pandemic that wandered the few survivors of mankind through a dilapidated earth, not the kind of escape entertainment that many were looking for at the end of 2021.

“Station Eleven” cleverly avoids almost every post-apocalyptic fiction cliché. It is not a series about the worst of humanity, but the best. Based on the novel of the same name by Emily St. John Mandel 2014, it is a moving examination of the power of art, the importance of compassion and the difficult but necessary process, to be seen beyond our own past trauma to connect with people again. It is not an exaggeration; “Station Eleven” is a revelation.

“The Leftovers” (2014)

Like “Station Eleven”, “The Leftovers” takes place in a world that is shaken by a global event. Based on a 2011 novel by Tom Perotta, the series is followed by several characters, including a fighting police chief (Justin Theroux), a grieving matriarch (Carrie Coon) and her reverend brother (Christopher Eccleston) as their life and the lives of others, who overlap after the sudden disappearance of 2% of the world population. The series, which comes from Perrotta and the “Lost” creator Damon Lindelof, spends most of their first season in the mere, ugly pain of his characters. However, the second and third season see that “The Leftovers” includes dark humor, romance and surreality.

The result is a show that started strongly and became remarkable in the last two seasons. With Coon, Theroux, Eccleston and Amy Brenneman, “The Retovers” is a powerful and temporarily stunning television series. Less classifiable than even “lost”, it is a series about the two-way nature of grief and learning to accept the unknown parts of life, no matter how painful or inexplicable they can be.

“Chernobyl” (2019)

Rarely has a true tragedy inspired a tragedy that is a piece of media as devastating, measured or integrated as “Chernobyl”. “The Last of Us” Showrunner Craig Mazins Historical Drama examines the nuclear disaster from Chernobyl from 1986 and the subsequent clearing and cover-up efforts of the Soviet Union. It is an unshakable representation of the real consequences of the corruption of the government, irresponsible leadership and scientific skepticism. “Chernobyl” comes from several historical documents and real reports on the catastrophe and creates a damn portrait of negligence that caused the central collapse and politically committed thinking that it was almost worse.

Since it has the efforts of several scientists and government officials to contain the fatal radioactive effects of the destruction of the nuclear planting in Chernobyl, the series repeatedly focuses on the human stress that the disaster caused. “Chernobyl” was built by Mazin and director Johan Renck with masterful control and self -confidence and is a timeless series that follows both in its first dialogly line and every minute: “What are the costs of lies?”

“Show Me a Hero” (2015)

David Simon will always be best known to create “The Wire”, even though he has spent over the past two decades to make important, dramatically convincing shows. Of these, only a few are just as underestimated or influenced as “show me a hero”. Based on a non -name of the same name in 1999, the limited series Yonker's Mayor Nick Wasicsko (Oscar Isaac) was caught at the end of the 1980s at the center of a conflict, which was initiated by a group of white residents of the bourgeois classes that were passionately triggered against the new, well -founded, affordable public housing buildings.

In other words, “Show me a hero” is not so different from Simon's other, more well -known projects. It is a number of the importance of the local government and urban planning, the racial and class voltages that have been divided for a long time, and the unknown, soul-possible nature of the country's bureaucratic machine. “Anchor anchored from a reliable lead performance by Oscar Isaac,” Show Me A Hero “functions both a participation and the stirring history of state victory and an American tragedy. As Simon Charlie Rose said in 2015, it is a series about what happens when “everyone does not feel like at least sharing a feeling of the same America”.

“Sharp objects” (2018)

As an unfairly forgotten entry in the prestige -TV boom of the late 2010s, “sharp objects” is a surreal and fascinating south -Gothic thriller. Based on the debut debut novel Gillian Flynn of the same name, the Miniserie Camille Praker (Amy Adams) created by Martin Noxon follows, a reporter who is susceptible to masturbation that is sent back to her hometown in Missouri to examine the Murder of two young girls. There she is reunited with her hyper -critical, controlling mother (Patricia Clarkson) and is found by traumatic childhood memories.

“Sharp Objects”, which is directed by the late Jean-Marc Vallée with the dreamlike, elliptical style, is a disturbing fascinating intersection between a family drama, a serial mite from Killer and a swampy summer horror story. There are many things, but it is always held together by Adams' violent, thorny central performance, which is high as one of the best she has ever given. Those who make up for “Sharp objects” are now also made by a boy, before “euphoria” Sydney Sweeney in an episode that hits the emotional power of a freight train.

“The Knick” (2014)

“The Knick” is one of the hidden jewels the prestige TV promotion of the mid-2010s. The series was created by Jack Amiel and Michael Begler from the filmmaker “Ocean's Eleven”, Steven Soderbergh, and follows a doctor (Clive Owen) who works in a New York hospital in the early 20th century, and the other doctors and nurses who are lured by his brilliance and also in the wreck of his self -relevant, tendencies. Thanks to its unshakable, often bloody nuance of medical interventions at the turn of the century, the series is definitely not ahead for the slightly squeamish or weak nose.

In conjunction with the fact that it had broadcast its two seasons on Cinemax of all networks in 2014 and 2015, “The Knick” flew among most radars of most mainstream TV viewers. However, it deserves to be well known and discussed. In the same year as “True Detective” season 1, the series was an early indicator of the era of prestige television that would soon follow by Star-and Director-controlled era. With the economic, insured style of Soderbergh, who has a technical craftsman like practically every other working director, “The Knick” is a deeply immersed, surprisingly entertaining drama.

“Govern Scavengers” (2023)

When television viewers think about prestige dramas, animated shows come – for good or bad – usually not in mind. But if there is an animation series that definitely qualifies as a “prestige drama”, it is “Acavengers Reign”. These adult science fiction series by makers Joseph Bennett and Charles Huettner follow the survivors of a damaged interstellar cargo ship mission, which is stranded on an alien planet, which is covered with strange, symbiotic plant life and is colonized by dangerous creatures that they have never met before.

“Scavengers Reign” is a hypnotic, fascinating series that is full of impressive science fiction wonder and frightening, frightening cosmic horror. It is full of stunning sequences that, like the flora and creatures, contradict the expectation and explanation on its central planet. The series received a late increase in critical recognition and fan -Support -Support -Support -Support -Support -Support -Support -Support -Support -Support -Support -Support -Support -Support -Support -Support -Support -Support -Support -Support -Support -Support -Support -Support -Support -Support -Support -Support -Support -Support -Support -Support -Support -Support.